FILM POSTERS
A little history of Film Posters
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A film poster is a poster used to advertise a film. Use of such posters goes back to the earliest public exhibitions of film, where they began as outside placards listing the programme of (short) films to be shown inside the hall or theater. By the early 1900s, they began to feature illustrations of a scene from each individual film. Originally, film posters were produced for the exclusive use of the theatres exhibiting the film the poster was created for, and the posters were required to be returned to the distributor after the film left the theatre.
In the United States, posters were usually returned to a nation-wide operation called the National Screen Service (NSS) which printed and distributed most of the film posters for the studios between 1940 and 1984. As an economy measure, the NSS regularly recycled posters that were returned, sending them back out to be used again at another theatre. During this time, a film could stay in circulation for several years, and so many old film posters were badly worn before being retired into storage at an NSS warehouse (most often, they were thrown away when they were no longer needed or had become too worn to be used again). Those posters which were not returned were often thrown away by the theatre owner, but some film posters found their way into the hands of collectors. The 1931 Frankenstein 6-sheet poster, of which only 1 copy is known to exist, is considered to be the most valuable film poster in the world. After the National Screen Service ceased most of its film-poster printing and distribution operations in 1985, some of the posters which they had stored in warehouses around the United States ended up in the hands of private collectors and film-poster dealers. Today there is a thriving collectibles market in film posters. Some have be become very valuable among collectors, with a few rare examples being auctioned for US$500,000 or more. The record price for a poster was set on November 15, 2005 when US$690,000 was paid for a poster of Fritz Lang's 1927 film Metropolis from the Reel Poster Gallery in London. s a result of market demand, some of the more popular older film posters have been reproduced either under license or illegally. Often there is no indication on these reproductions that they are reproductions, which has led to some problems in the collectibles marketplace. Beginning in the 1980s, the film studios began taking over direct production and distribution of their posters from the National Screen Service and the process of making and distributing film posters became decentralised. Today, film posters are generally produced in much larger quantities than necessary to promote a film at the theatres, because they are also sold directly to the public by retailers who purchase them at wholesale prices from the studio distributors. Modern film posters are also often sold from websites set up by the studio to promote a given film. Because of this, modern posters are not considered rare, and are usually readily available for purchase by collectors. To clarify some of the genre of movies I have provided some descriptions below that I obtained from Wikipedia for information purposes only.
FILM CATEGORIESFILM NOIRFilm noir (/fɪlm nwɑːr/; French pronunciation: [film nwaʁ]) is a cinematic term used primarily to describe stylish Hollywoodcrime dramas, particularly such that emphasize cynical attitudes and sexual motivations. Hollywood's classical film noir period is generally regarded as extending from the early 1940s to the late 1950s. Film noir of this era is associated with alow-key black-and-white visual style that has roots in German Expressionist cinematography. Many of the prototypical stories and much of the attitude of classic noir derive from the hardboiled school of crime fiction that emerged in the United States during the Great Depression.
The term film noir, French for "black film" (literal) or "dark film" (closer meaning), first applied to Hollywood films by French critic Nino Frank in 1946, was unrecognized by most American film industry professionals of that era.Cinema historians and critics defined the category retrospectively. Before the notion was widely adopted in the 1970s, many of the classic films noirs[a] were referred to as melodramas. Whether film noir qualifies as a distinct genre is a matter of ongoing debate among scholars. Film noir encompasses a range of plots: the central figure may be a private eye (The Big Sleep), a plainclothes policeman (The Big Heat), an aging boxer (The Set-Up), a hapless grifter (Night and the City), a law-abiding citizen lured into a life of crime (Gun Crazy), or simply a victim of circumstance (D.O.A.). Although film noir was originally associated with American productions, films now so described have been made around the world. Many pictures released from the 1960s onward share attributes with film noir of the classical period, and often treat its conventions self-referentially. Some refer to such latter-day works as neo-noir. The clichés of film noir have inspired parody since the mid-1940s. (Source: Wikipedia) B-MOVIEA B movie is a low-budget commercial motion picture that is not an arthouse film. In its original usage, during the Golden Age of Hollywood, the term more precisely identified a film intended for distribution as the less-publicized, bottom half of adouble feature. Although the U.S. production of movies intended as second features largely ceased by the end of the 1950s, the term B movie continued to be used in the broader sense it maintains today. In its post–Golden Age usage, there is ambiguity on both sides of the definition: on the one hand, the primary interest of many inexpensive exploitation films is prurient; on the other, many B movies display a high degree of craft and aesthetic ingenuity. In either usage, most B movies represent a particular genre—the Western was a Golden Age B movie staple, while low-budget science-fiction and horror films became more popular in the 1950s. Early B movies were often part of series in which the star repeatedly played the same character. Almost always shorter than the top-billed films they were paired with, many had running times of 70 minutes or less. The term connoted a general perception that B movies were inferior to the more handsomely budgeted headliners; individual B films were often ignored by critics. Latter-day B movies still sometimes inspire multiple sequels, but series are less common. As the average running time of top-of-the-line films increased, so did that of B pictures. In its current usage, the term has somewhat contradictory connotations: it may signal an opinion that a certain movie is (a) a genre film with minimal artistic ambitions or (b) a lively, energetic film uninhibited by the constraints imposed on more expensive projects and unburdened by the conventions of putatively "serious" independent film. The term is also now used loosely to refer to some higher-budgeted, mainstream films with exploitation-style content, usually in genres traditionally associated with the B movie. From their beginnings to the present day, B movies have provided opportunities both for those coming up in the profession and others whose careers are waning. Celebrated filmmakers such as Anthony Mann and Jonathan Demme learned their craft in B movies. They are where actors such as John Wayne and Jack Nicholson first became established, and they have provided work for former A movie actors, such as Vincent Price and Karen Black. Some actors, such as Béla Lugosi,Eddie Constantine and Pam Grier, worked in B movies for most of their careers. The term B actor is sometimes used to refer to a performer who finds work primarily or exclusively in B pictures. (Source: Wikipedia) |
Film Noir Posters
Silent Film Posters
Modern Movie Posters
Japanese Movie
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French Movie Posters
Cult Film Posters
Bollywood Horror
Thai Movie Posters
Egyptian Posters
Other Movie Posters
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CULT FILM
A cult film, also commonly referred to as a cult classic, is a film that has acquired a cult following. Cult films are known for their dedicated, passionate fanbase, an elaborate subculture that engage in repeated viewings, quoting dialogue, and audience participation. Inclusive definitions allow for major studio productions, especially box office bombs, while exclusive definitions focus more on obscure, transgressive films shunned by the mainstream. The difficulty in defining the term and subjectivity of what qualifies as a cult film mirror classificatory disputes about art. The term cult film itself was first used in the 1970s to describe the culture that surrounded underground films and midnight movies, though cult was in common use in film analysis for decades prior to that.
Cult films trace their origin back to controversial and suppressed films kept alive by dedicated fans. In some cases, reclaimed or rediscovered films have acquired cult followings decades after their original release, occasionally for their camp value. Other cult films have since become well-respected or reassessed as classics; there is debate as to whether these popular and accepted films are still cult films. After failing in the cinema, some cult films have become regular fixtures on cable television or profitable sellers on home video. Others have inspired their own film festivals. Cult films can both appeal to specific subcultures and form their own subcultures. Other media that reference cult films can easily identify which demographics they desire to attract and offer savvy fans an opportunity to demonstrate their knowledge.
Cult films frequently break cultural taboos, and many feature excessive displays of violence, gore, sexuality, profanity, or combinations thereof. This can lead to controversy, censorship, and outright bans; less transgressive films may attract similar amounts of controversy when critics call them frivolous or incompetent. Films that fail to attract requisite amounts of controversy may face resistance when labeled as cult films. Mainstream films and big budget blockbusters have attracted cult followings similar to more underground and lesser known films; fans of these films often emphasize the films' niche appeal and reject the more popular aspects. Fans who like the films for the wrong reasons, such as perceived elements that represent mainstream appeal and marketing, will often be ostracized or ridiculed. Likewise, fans who stray from accepted subcultural scripts may experience similar rejection.
Since the late 1970s, cult films have become increasingly popular. Films that once would have been limited to obscure cult followings are now capable of breaking into the mainstream, and showings of cult films have proved to be a profitable business venture. Overbroad usage of the term has resulted in controversy, as purists state it has become a meaningless descriptor applied to any film that is the slightest bit weird or unconventional; others accuse Hollywood studios of trying to artificially create cult films or use the term as a marketing tactic. Films are frequently stated to be an "instant cult classic" now, occasionally before they are released. Fickle fans on the Internet have latched on to unreleased films only to abandon them later on release. At the same time, other films have acquired massive, quick cult followings, thanks to spreading virally through social media. Easy access to cult films via video on demand and peer-to-peer file sharing has led some critics to pronounce the death of cult films.
(Source: Wikipedia)
SILENT FILM
A silent film is a film with no synchronized recorded sound, especially with no spoken dialogue. The silent film era lasted from 1894 to 1929. In silent films for entertainment, the dialogue is transmitted through muted gestures, mime and title cards which contain a written indication of the plot or key dialogue. The idea of combining motion pictures with recorded sound is nearly as old as film itself, but because of the technical challenges involved, synchronized dialogue was only made practical in the late 1920s with the perfection of the Audion amplifier tube and the introduction of the Vitaphone system. During silent films, apianist, theatre organist, or in large cities, even a small orchestra would often play music to accompany the films. Pianists and organists would either play from sheet music or improvise; an orchestra would play from sheet music.
The term silent film is therefore a retronym, that is, a term created to distinguish something retroactively – the descriptor silentused before the late 1920s would have been a redundancy and possibly in modern times a misnomer. After the release of The Jazz Singer in 1927, the "talkies", also known as "sound film" or "talking pictures" became more and more commonplace. Within a decade, popular widespread production of silent films had ceased, hence production moved into the sound era, in which movies were accompanied by synchronized sound recordings of spoken dialogue, music and sound effects.
A September 2013 report by the United States Library of Congress announced that a total of 70% of American silent feature films are believed to be completely lost.[1] There are numerous reasons for the loss of so many silent films, three of the chief causes being intentional destruction by film studios after the silent era ended, extensive damage as a result of environmental degradation of the films themselves, or fires in the vaults in which studios stored their films.(Source: Wikipedia)
The term silent film is therefore a retronym, that is, a term created to distinguish something retroactively – the descriptor silentused before the late 1920s would have been a redundancy and possibly in modern times a misnomer. After the release of The Jazz Singer in 1927, the "talkies", also known as "sound film" or "talking pictures" became more and more commonplace. Within a decade, popular widespread production of silent films had ceased, hence production moved into the sound era, in which movies were accompanied by synchronized sound recordings of spoken dialogue, music and sound effects.
A September 2013 report by the United States Library of Congress announced that a total of 70% of American silent feature films are believed to be completely lost.[1] There are numerous reasons for the loss of so many silent films, three of the chief causes being intentional destruction by film studios after the silent era ended, extensive damage as a result of environmental degradation of the films themselves, or fires in the vaults in which studios stored their films.(Source: Wikipedia)
FOREIGN FILMS (WORLD CINEMA)
World cinema is a term used primarily in English-speaking countries to refer to the films and film industries of non-English-speaking countries. It is therefore often used interchangeably with the term foreign film. However, both world cinema and foreign film could be taken to refer to the films of all countries other than one's own, regardless of native language.
Foreign language films can be commercial, low brow or B-movies. Furthermore, foreign language films can cross cultural boundaries, particularly when the visual spectacle and style is sufficient to overcome people's misgivings. Films of this type became more common in the early 2000s, as Crouching Tiger, Hidden Dragon,Amélie, Brotherhood of the Wolf, Y Tu Mama Tambien and Talk to Her enjoyed great successes in USA cinemas and home video sales. The first foreign and foreign language film to top the North American box office was Hero in the August of 2004. (Source: Wikipedia)
Foreign language films can be commercial, low brow or B-movies. Furthermore, foreign language films can cross cultural boundaries, particularly when the visual spectacle and style is sufficient to overcome people's misgivings. Films of this type became more common in the early 2000s, as Crouching Tiger, Hidden Dragon,Amélie, Brotherhood of the Wolf, Y Tu Mama Tambien and Talk to Her enjoyed great successes in USA cinemas and home video sales. The first foreign and foreign language film to top the North American box office was Hero in the August of 2004. (Source: Wikipedia)
COPYRIGHT: PLEASE NOTE: The provided poster art copyright is believed to belong to the distributor of the film, the publisher of the film or the graphic artist. These images are for information purposes only.